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A complete lack of logic in decision making
In the last two seasons of the series we have often felt that we are trying to force a cliff of hangars to send us to mid-season or end of the season with resonant question marks that will create fan frenzy for the new season. The end of the sixth season did not reveal to us the identity of the character who played the killing felt forced, we were allowed to wait many months until finally we got the answer. The creators of the show wanted to create a dialogue and buzz around the finale and the character just like what they did at the end of the fifth season of the Games with John Snow.
The best example is what they did to the character of Glenn (Steven Yoon) – we did not understand until now how Glenn’s death served the plot of the series, it only caused the nervous level of viewers to rise. After a few episodes during the sixth season they tried to make us think that Glenn had died in a shocking way from the moves and finally brought a twist that came out alive miraculously only to kill him at the end of the sixth season in one of the most horrific ways ever been a main character in the series. Why abuse your viewers like that? At this stage it seemed that the series killed its main characters only to produce higher ratings and not to promote the plot and the big story.
In addition to separate bizarre decision Magellan We recently received another slap with the offending section of the recess exit eighth season, which we found Carl (Chandler Riggs), one of the favorite characters in the series, was bitten by step and will probably inevitable death. The really annoying thing is that it does not at all coincide with the chain of events in the comics of the walking dead and this move has no contribution other than to squeeze our emotions in the cheapest way to earn ratings and buzz around the brand.
The move sparked an upheaval of social network fans who even opened a petition calling on the AMC network to fire the season’s executive producer Scott Gimpel. Over 80,000 people signed the petition. Finally the network decided to transfer Gimpel to the position of chief content officer and replace him as the acting producer of Angela Kang.
The figures are flat
To begin with we compare the two villains played and the governor. The whole story with the governor was in seasons 3 + 4 from start to finish. As we learned about the governor’s background story, how he became who he was, we learned about what happened to his daughter, whom he kept as a pet walker and all these details helped us understand his motives, however distorted. His character was a character with a certain depth. But by comparison look at us more playing time which the governor has been two seasons and still not planning to go, this time did not tell us about the character of playing anything beyond what he really likes to hurt people and get what he wants. Which is great in terms of action and tension but you can not build a series that will run over time.
In the same breath you can give many examples of good secondary characters (Beth Green, Tyres, Sasha, Jesse Anderson, Bob and others) who developed them a bit and simply gave up as if they were sacrifices that must be put on the altar. And it is impossible not to be indignant on the other side of the coin about the hallucinatory decision to continue the plot of characters so annoying and humiliating as Father Gavriel and Eugene, who could easily win the prize for the most impulsive figure anyone has ever thought of, unfortunately there is no such reward but if he was Takes a walk.
There is no one hand to navigate where the series goes
Throughout the seasons of the walking dead came directors and managers who saw differently the way the series should go. In the first season it was the esteemed director Frank Derbont (“Walls of Hope”, “Green Mile” and more) who adapted Robert Kirkman’s comics series “The Walking Dead” and took the role of executive producer of the series, The same for financial reasons. Then the executive producer chair of the dead moves has been changed several times throughout the seasons.
Making this decision after one season had a significant impact on the series, which could have been quite different if Frank Darbonet had remained in the position of executive producer. For the sake of comparison, we will take another hit series that has already run for seven seasons (and eighth and final season on the way) – the throne games, where throughout the seasons the producers were David Benioff and DB. Weiss who did amazing work there when they got the freedom to process the story as they see fit, which often went beyond the limits of the books on which the series was based.
